

I recommend most of Barker’s work as he is truly a master of horror. Clive Barker's tale The Forbidden provided the inspiration for the cinema Candyman this adaptation of the story is still set in the UK and. While Tony Todd is and forever will be the Candyman, Barker’s portrayal of him in The Forbidden was different, but no less creeptastic.

We don’t get an origin story in The Forbidden, but the classic line of, “Be my victim” is there. And the premise of immortality through victim-hood and fatality underlies the end. It was a sizable enough hit to spawn a franchise. For me, Candyman was one of my favorites and still is. In 1992 one of Clive Barker’s stories, called The Forbidden, was excellently adapted into Candyman by British filmmaker Bernard Rose. It is a story about urban legends come to life, of how a downtrodden community protects their own. Any that are familiar with Barker’s writing knows that he has a way of creating a setting. The juxtaposition of new construction that was the pride of the city that quickly turned into abandoned flats and tagged walls are beautifully described from the outset. His depiction of the dilapidated housing estate sets the mood early, while in sharp contrast to Helen’s home life with Trevor clearly separates the haves from the have nots.Īlong with his setting of mood and tone early on, Barker increases the tension as a slow burn at first, but then cranks up the heat (*spoiler: quite literally at the end) and the readers are racing toward the character's final demise. This is one of those stories where I can’t definitively decide which is better, the story or the movie. Srpski Film (aka A Serbian Film) generated no small amount of controversy following its first American screenings at the 2010 South by Southwest Film Festival.The Forbidden is a short story by Clive Barker that inspired the movie Candyman. Not long after Milos arrives on set, he realizes this will not be an ordinary porn film, and as he's dosed with drugs and led from one extreme of sex, violence, and human debasement to another, Milos becomes aware that his physical and emotional survival is being put to the ultimate test. Milos agrees, even though Vukmir won't tell him what the movie is about.

Vukmir (Sergej Trifunovic) is a mysterious man who offers to pay Milos a huge sum to appear in his next film - enough to support his family for life. Milos has been having serious money problems and wants to better provide for his family, so when an old friend tells him about a wealthy filmmaker who'd like to work with him, he's willing to listen. Milos (Srdjan Todorovic) was once a star in pornographic movies, well known for his ability to perform longer than any of his peers, but he gave up his career and now lives a quiet life with his wife and young son. Filmmaker Srdjan Spasojevic pushes the boundaries of what can (or should) be shown onscreen in this violent and malignly erotic thriller.
